Alain committed herself more and more to publishing the poetry and texts which he liked ????? though at boarding school. Being fully a daydreamer, his mother made a decision to send him to a German school in England. Subsequent problems along with his subscription he did not enrol but ended up remaining in London where he worked in a pub. That amount of time in London served him ahead out of himself. On time for France, he used practicing the guitar and composed a few songs. It turned a passion. He lived in a zero though choosing auditions but they stumbled on nothing. He listened to all the fantastic English and National performers of the period with admiration which also inspired him.

In 1969 he met his future wife, Fran?oise and these were committed in 1970. Exactly  the same year his boy Pierre was born. He continued to play in cabarets and bars of the Rive Gauche, the literary and rational quarter of Paris. He made almost no money but his wife inspire him to persevere. Finally in 1971, he arrived his first agreement with the Pathe-Marconi name but he still did not find success.

1973 marked the end of the small singer's hard work. He made the associate of Frank Socquet, the ????? artistic director of RCA who was simply really interested in the repertoire of the disillusioned Alain Souchon. Frank Socquet had just published "L'amour 1930" for a romantic Chinese singer but he encouraged Alain to play this music at the Rose D'Or of Antibes contest. It was his first success.

Alain then met Laurent Voulzy, a guitarist created in 1948 and produced up on Anglo Saxon audio whose job had not yet taken off. The partnership between those two performers straight away needed off. Their personalities accompanied one another and their work improved really quickly. Alain was the tougher at the lyrics though Voulzy provided the music. They reduce their first record in 1974 named "J'ai 10 ans" which emphasised the sophisticated design of Souchon and the modernity of Voulzy. Following decades on the cabaret scene, Alain Souchon is ultimately recognised for his skill and in 1975 pieces another record named "Bidon" for which Voulzy wrote all of the music. This is an enormous success. By 1977 he'd continued achievement with the record "Jamais content" ;.The music "Allo maman bobo" headlines his design of guy brittleness that your singer asserts. Another music "Poulailler's Song" evokes hateful humour. Regardless of the fact that Souchon is definitely an incorrigible dreamer, he enjoyed to handle particular problems.

The publishing together of Souchon and Voulzy also had divided advantages for Laurent Voulzy who in 1977, obtained achievement with "Rockcollection" in venture with Souchon. Both guys separated themselves in Brittany for many weeks at any given time to publish new albums. They worked effectively together and in 1978 Alain Souchon introduced another record "Toto 30 ans" ;.That record is darker than usual but the public still warms to it. The singles "Le Bagdad de Lann Bihoue" and "Papa Mambo" are enormous successes. That disc also marks the first faltering step of Alain Souchon towards the ????? theatre as the movie director Francois Truffaut commissions him to publish the concept music of his movie "L'Amour en fuite" ;.

In 1978, Alain's 2nd boy Charles, was born. Several months later, in January 1980, Alain is invited to play at l'Olympia which can be certainly a triumph. In November he delivered for seven days where Laraunt Voulzy joined him after to play two new tracks together.

In 1980, the record "Rame" premiered on which Alain Souchon's previous buddy Michel Jonasz performed with him on the concept music "Jonasz" ;.Since 1974, the two artists have been publishing frequently together and provided exactly the same vision. In 2010 also sees his first forage into an working job in "Je Vous Aime" ;.With Catherine Deneuve, Gerard Depardieu and Serge Gainsbourg, Alain Souchon represents a fragile and melancholic person. His working is really significantly loved that Jean-Paul Rappeneau then named upon him to star in the movie "Consider feu market flame" with Isabelle Adjani and Yves Montand. That movie is a success but it is in the 1983 movie "L'Ete Meurtrier" where he represents an identity fatally in love along side Isabelle Adjani that delivers him true fame.

During his amount of time in movie, he'd ended publishing however in 1983 delivered to performing with the record "On avance" that was only a little distinctive from his the others, having his buddies co-write a few songs. "On est si beau" with Michel Jonasz, "Les papas des b?b?s" with Louis Chedid and "Casablanca" with David McNeil. Only the very beautiful "Saute en l'air" was co-written with Voulzy. From the 20th September he played at l'Olympia and then continued visit round the country.